on movies:
The Age of “Jennifer’s Body,” The Atlantic, 2024
Blessed by God, Beautiful by Nature: On “Barren Lives,Notebook MUBI, 2024
Sofia Coppola’s Subversive Search for Truth in “Priscilla,” The New York Times Magazine, 2023
Walking, Talking, & Hurting Feelings: Nicole Holofcener's Everyday Dramas, Notebook MUBI, 2023
The Polley Problem: Why Women Talking Loses Its Plot, Notebook MUBI, 2023
The Voice of a Generation: The Trope of the "Complex Female Character," Notebook MUBI, 2022
Exposed Nerves: Claire Denis Sharpens "Both Sides of the Blade," Notebook MUBI, 2022
'Cha Cha Real Smooth' Cha Cha Real Sucks, Gawker, 2022 
The Writing Plot: Life as Art in "Bergman Island," Notebook MUBI, 2022
What Is That, Me?: Fear of Fear, Bright Wall/Dark Room, 2022
Steven Soderbergh, American Auteur, Gawker, 2022
Tell, Don't Show Romance, Notebook MUBI, 2022 
Nicole Kidman, Catlike, Gawker, 2022
All Is Forgiven review, Screen Slate, 2021
A Knot in the Throat, Notebook MUBI, 2021
In Praise of Romy Schneider's Backless Dresses, Little White Lies, 2021
A Woman's Place in the Kitchen, kitchen work, print only 2021
Hair Redemption, Notebook MUBI, 2019
The Power of High Heels, Guernica, 2019

on books:
Tropical Malaise, Los Angeles Review of Books, 2024
Brief Encounters: On Claire Messud’s Melodramas, Literary Hub, 2024 
Andy Warhol Has Been Shot: On Nicole Flattery’s Nothing Special, Cleveland Review of Books, 2023
The Jagged Inconsistency of Sylvia Plath's America, The Atlantic, 2023 
The Real Housewives of Jonathan Franzen, Vulture, 2022
Sinking Cities, Los Angeles Review of Books, 2019

on TV: 
Recaps of Say Nothing, Vulture, 2024
Recaps of My Brilliant Friend, Vulture, 2024
Recaps of Pachinko, Vulture, 2024
Recaps of Presumed Innocent, Vulture, 2024 
Recaps of Ripley, Vulture, 2024 
The Sneaky Sophistication of Gilmore Girls, Paste, 2022

interviews:
With Irene Maiorino, Vulture, 2024

translation:
Fragments of Desire by Talita Lilla, Word for Word Anthology E-book, 2020
Dispatch by Lucas Cassoli, The Drift, 2020

Party Girl (Von Scherler Mayer, 1995)